Sony Music Entertainment
In 1977, a stranger calls Ruth Finley to blackmail her about a secret from her past. The caller escalates to stalking her on the streets, sending terrifying poems in the mail, and threatening her life. The case sets off a years-long manhunt, one of the most expensive and infamous in Wichita history, to catch the man kn…
Apple · United Kingdom · True Crime
26
Apple · Canada · True Crime
38
Apple · United States · True Crime
49
Apple · Australia · True Crime
52
Apple · Canada · All categories
| Date | Chart | Rank | Change |
|---|---|---|---|
| 31 Aug 2026 | Apple · United Kingdom · true crime | 26 | Down 3 places |
| 31 Aug 2026 | Apple · Canada · true crime | 38 | Down 5 places |
| 31 Aug 2026 | Apple · United States · true crime | 49 | Down 2 places |
| 31 Aug 2026 | Apple · Australia · true crime | 52 | Down 9 places |
| 31 Aug 2026 | Apple · Canada · All categories | 133 | Down 3 places |
| 30 Aug 2026 | Apple · United Kingdom · true crime | 23 | Down 3 places |
| 30 Aug 2026 | Apple · Canada · true crime | 33 | Up 4 places |
| 30 Aug 2026 | Apple · Australia · true crime | 43 |
Every chart this show appears in, once a day. No digest, no newsletter essay.
133
Rank #1 is at the top. Dashed sections are days the show was not on this chart.
Podhash has 8 days of history for this chart. Longer ranges unlock as more daily snapshots are captured.
24 Aug 2026
places gained
in this chart
Latest 31 Aug 2026
| 30 Aug 2026 | Apple · United States · true crime | 47 | Up 3 places |
| 30 Aug 2026 | Apple · Canada · All categories | 130 | Up 28 places |
| 30 Aug 2026 | Apple · United Kingdom · All categories | 182 | Down 24 places |
| 29 Aug 2026 | Apple · United Kingdom · true crime | 20 | Down 4 places |
| 29 Aug 2026 | Apple · Canada · true crime | 37 | Up 7 places |
| 29 Aug 2026 | Apple · Australia · true crime | 44 | Up 1 place |
| 29 Aug 2026 | Apple · United States · true crime | 50 | Up 1 place |
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Not affiliated with, endorsed by or partnered with Apple or Spotify. Chart positions are read from each platform’s own public charts and are relative ranking signals, not audience figures.